A holiday obsession

A holiday obsession

I have a little holiday obsession going. I've been doing this for years now. One year I knitted endless elf stockings. And one of these years they're coming back. But this year it is still these little trees which sit on wine corks.

I'm not entirely sure where this comes from or why I haven't been able to stop. I only do this at Christmas time but I just keep knitting them even though Emily gives them away any chance she gets and really who needs this many little trees? I might need an intervention. I think somewhere in my head I think I'm going to make a whole forest. Hopefully I'm not ignoring the real forest outside my door.

Continuous warping for tapestry: the Mirrix example

Continuous warping for tapestry: the Mirrix example

I've been teaching people to warp a Mirrix and other pipe-like looms with a continuous warp for years now. There are people who immediately understand how it works and don't have a problem with the pattern the warp must follow as you warp. There are other people who struggle with this a lot.

I believe this stems from a particular spatial ability some of us have and some of us don't. (Don't worry, if this isn't your skill, you can still learn to warp a loom. You undoubtedly have many skills the rest of us don't.) I have particularly good spatial abilities. In fact I'd say that my memory is very spatially oriented. I am especially good at remembering places and paths. I hiked the 500-mile Colorado Trail from Denver to Durango in 2003 and can still tell you details about all parts of the trail just by positioning myself there in my memory. When I have re-hiked hundreds of miles of the trail recently, I realized my memory from 2003 was quite accurate. But I most likely can't tell you the plot of a movie or TV show I watched last week and I'll never be able to tell you the name of the actors. I remember books that put me someplace in my imagination and I won't remember much about a book that doesn't--even if I really enjoyed reading it... unless I hold the book in my hands again and can somehow dredge up the sensory experience of the place I was while reading it or can flip through it as an object and see comments I wrote in it.

When it comes to warping, I think this ability to imagine things in space is very helpful. But there are many people who don't have this sort of brain.

What do you need to get started with tapestry weaving?

What do you need to get started with tapestry weaving?

I get a lot of pretty great email, but this one really made me smile. 

" My 10-year-old grandson was given a loom for Christmas last year and there it stood on the piano as they couldn't fathom how a large ball of wool was supposed to go through narrow slots...."

It goes on from there. In this post I talk about what you need to get started with tapestry weaving. And it isn't much!

Four things a tapestry weaver needs to remember

Four things a tapestry weaver needs to remember

Every discipline has something that trips people up when they’re learning it. I've been teaching tapestry for a long time and over the years I've noticed that there are four consistent things that cause tapestry weavers the most trouble. These things are more common for new tapestry weavers, but all of us have moments from time to time when we just don't see why the weaving isn't working.

Here are the four things I see tripping people up the most:

  1. Wait for the popped-up warp

Why do you weave from the bottom to the top of a tapestry?

Why do you weave from the bottom to the top of a tapestry?

Tapestry weaving is in some sense, taking a journey up the warp. It is a process that starts at the bottom and moves upward.

Always.

(okay, almost always)

I know some of you that have watched videos, read books, and even taken courses by some of the weavers prevalent on Instagram may be confused by this. They do teach weaving in the middle of the warp and then filling in around it with a needle. I maintain that this is a poor way to construct a tapestry and I’ll go so far as to even call it wrong. (with apologies for my stubbornness)

Here are my reasons.