Rebecca Mezoff Blog — Rebecca Mezoff

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Tapestry Show

The show opens today! Webster Arts in St. Louis, MO.

The show opens today! Webster Arts in St. Louis, MO.

I’ve been a teacher in some form for most of my professional life, but I’ve only been teaching tapestry for eight years. The growth that has happened in my own knowledge of tapestry practice and in my abilities as a teacher has grown exponentially in that time. I’ve gone from an apprentice to someone who appreciates other artist’s practices, but has confidence in her own and can teach others to follow their own paths.

Fiber artists are creative and every day I see something unique and inspiring from one of my students. Sometimes it is a fully-formed tapestry. But often it is the small seed of an idea that someone is trying out in a sampler. My job is simply to offer a little oxygen and water to that seed and encourage the idea to grow and perhaps become something marvelous. One idea leads to another, and a little chain of successes can lead to a whole body of work which enriches the maker and the world.

"In tapestry you only ever have two choices." Susan Iverson and tapestry weaving.

"In tapestry you only ever have two choices." Susan Iverson and tapestry weaving.

Susan Iverson was in Fort Collins this week to do a couple lectures in conjunction with the show FABRICation which is traveling from Virginia Commonwealth University. VCU is the school where Susan was a professor in the School of Arts, Craft and Material Studies department until her recent retirement.

Susan's practice of tapestry weaving has many similarities to my own. We both weave on floor looms. We both value abstraction and weaving tapestry that relates to the gridded nature of the medium. And there is a deep sensibility from her around materials.

Layers: the tapestry for Petrified Forest National Park

Layers: the tapestry for Petrified Forest National Park

Tapestry weaving is a slow process. The image is built slowly in layers, one bit at a time. My process of weaving felt very similar to the geologic processes that created Petrified Forest National Park. In my month in the park, I hiked as much of it as I could and I was constantly amazed at the beauty of the layers in the rock. I also thought a lot about the span of time represented there.

My work often addresses the nature of time through the influence of landscape. In some ways, being able to look back at events that happened hundreds of millions of years ago in the rocks and petrified wood in the Park helps put our daily human struggles into some perspective. In a world full of short term gratification and goals, taking the long view, whether it is through appreciation of how the landscape was formed or through slowly building up a tapestry image in yarn, helps shift perspective and can even provide hope for the future.

Small-format tapestries: Crossroads

Small-format tapestries: Crossroads

I just received my catalog for the American Tapestry Alliance small format juried show Small Tapestry International 5: Crossroads. What a lovely show. I am tempted to take a road trip when it is near Dallas.

This post includes some images from the catalog and a statement from the juror. She challenges us to think about tapestry's place in the world and directions we could take this art form. Do you agree with her?

Time Warp

Time Warp

My Petrified Forest tapestries have found their way into a wonderful show in Athens, GA this summer. Time Warp... and Weft. Woven Works is a show at Lyndon House Arts Center which is open until July 29th.

Tommye Scanlin, Janette Meetze, Janet Austin, Geri Forkner, and Kathy Spoering are the main force behind this show. They have been doing time-based weaving for many years and have displayed these works together several times recently. I'm so happy they have asked me to be part of the Lyndon House show with my artist-in-residence tapestries.

Marginalia: the tapestries of Sarah Swett

Marginalia: the tapestries of Sarah Swett

I have been enchanted by the tapestry of Sarah Swett for a long time now. And if you've ever met Sarah, you'll have to agree with me that she is pretty enchanting herself. 

I was able to go see her new show at the Pacific Northwest Quilt and Fiber Arts Museum in La Conner, Washington last week. This is most likely the last time she'll be exhibiting her Rough Copy series all together and absolutely it is a sight not to be missed.