Rebecca Mezoff Blog — Rebecca Mezoff

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Need to know how much of that mystery yarn you have? Get a yarn balance.

Need to know how much of that mystery yarn you have? Get a yarn balance.

Mystery yarns! We all end up with them eventually. There are ways to figure out what sort of fiber it is which I won’t cover in this post, but if you simply need to know how MUCH of a yarn you have, there is a simple tool to tell you. It is called a yarn balance. I’ve had mine for decades and it does come in handy if I need to know how many yards I have of something calculated from the weight of the ball of yarn.

Long ago in my fabric-weaving days, someone told me about the McMorran Yarn Balance. I pulled it out recently to calculate yards per pound of a tapestry yarn I was testing and thought you, dear readers, might not know this simple tool exists.

The Art is the Cloth: How to Look at and Understand Tapestries

The Art is the Cloth: How to Look at and Understand Tapestries

This is the year of new tapestry books! Today’s example is Micala Sidore’s new book, The Art is the Cloth: How to Look at and Understand Tapestries from Schiffer Publishing.

This book is not quite what I expected it to be. I thought it would be a book with a fair amount of text that gave us some guidelines for how to understand what we’re seeing when we look at tapestries. I think I can be forgiven for that considering the book’s subtitle. Instead, it is a book with hundreds of images of tapestries and almost no text. It turns out this is a fantastic advantage for my education. You see, I’m really good at words. I like to string them together, often use way too many of them, and though I love pictures, if I can read about something, I’ll use my brain to mull the words instead of studying photos.

This book is ALL about the photos.

Renditions: a fascinating show of small format tapestries all visible online

Renditions: a fascinating show of small format tapestries all visible online

I love viewing tapestries in person. I can get a close look at how they were constructed and if I’m lucky enough to be at an opening where the artist is present, I can ask them to show me the back along with peppering them with questions about their work. The small format unjuried tapestry show that the American Tapestry Alliance (ATA) holds every two years is one of my favorite shows because it is full of surprises. There are usually hundreds of tapestries and if I can see them in person, I can have a grand time seeing other people’s ideas and techniques not to mention imagery and color use.

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Weaving in the wilderness (nearby)

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Weaving in the wilderness (nearby)

With the possibility of travel largely gone for the foreseeable future, exploring the places where we live seems like something to settle into. I’ve become more interested in details. In watching and understanding what is happening in my back yard. And in spending the time to watch what happens overnight on the trails I have loved for decades. I’ll keep weaving and spinning while outside and that will prompt me to weave more while I’m in my own studio.

Anatomy of a Tapestry: Techniques, Materials, Care

Anatomy of a Tapestry: Techniques, Materials, Care

Jean Pierre Larochette and Yadin Larochette along with Yael Lurie (illustrations) have produced a wonderful new book about tapestry. I read the whole thing this weekend and I highly recommend it. In fact, if you are a practicing tapestry weaver interested in French tapestry techniques, this book is an important one and absolutely should have a place on your shelf.

It contains information from a fairly wide swath of tapestry practice. Jean Pierre Larochette is an Aubusson-trained tapestry weaver with 60 or more years of experience who brings his practice to light quite poetically in this beautiful book. His daughter, Yadin Larochette, is not only a skilled tapestry weaver herself, having learned in her family’s workshop, but is also a textile conservator and provides a wealth of information in the last half of the book to help tapestry weavers create long-lasting textiles.

Getting unstuck when designing for tapestry

Getting unstuck when designing for tapestry

Last week Kathy^ asked a question in the Design Solutions class that has gotten me thinking more about the evolution of a tapestry design. After a week of thinking about it, I was still unable to answer Kathy’s question and I believe that is because the answer is different for every artist. She wanted to know where people get stuck in the design process and how do they manage to get unstuck.

Silvia Heyden is a wonderful example of someone who created her own system of weaving and managed to stay unstuck and prolific throughout her career.* Silvia took her inspiration largely from nature and her tapestry weaving style was informed by the structure of tapestry. Her work is abstract, colorful, and exciting.