Weaving on the road
Summer is a great time for tapestry weaving and travel. I packed up an overly large bag (or two) of yarn, spindles, and looms and had a few days car camping at 11,000 feet with friends.
Some four selvedge weaving was done on this trip... the first completed on the ride there. One of my favorite views is this one coming out of South Park when you first see Mt. Princeton.
The satisfaction of making your own simple weaving equipment
I come from a family of makers, so the idea of making my own loom is not totally foreign to me. However, my stash of woodshop tools is pretty limited. I have a mitre box and saw for making tapestry hanging bars, a few small wrenches and screwdrivers, and a motley collection of screws and wire.* Oh, and not long ago I added a big pipe wrench. If your guess is that I bought it to make pipe looms, you'd be wrong. It had something to do with a dye stove and a propane tank... I do occasionally use it to tighten or loosen the galvanized threaded pipe on my small loom and one day I'll make a large pipe loom and use it to tighten large nuts.
Folk Art Market fun
I went to the Santa Fe International Folk Art Market this past weekend. I'd never been* and so this was the year. I had seen the film, Silkies of Madagascar, at the Clothroads film festival and then read the Thrums book, Silk Weavers of Hill Tribe Laos. Both things made me want to see the market where so many artists gather to show their art.
The show opens today! Webster Arts in St. Louis, MO.
I’ve been a teacher in some form for most of my professional life, but I’ve only been teaching tapestry for eight years. The growth that has happened in my own knowledge of tapestry practice and in my abilities as a teacher has grown exponentially in that time. I’ve gone from an apprentice to someone who appreciates other artist’s practices, but has confidence in her own and can teach others to follow their own paths.
Fiber artists are creative and every day I see something unique and inspiring from one of my students. Sometimes it is a fully-formed tapestry. But often it is the small seed of an idea that someone is trying out in a sampler. My job is simply to offer a little oxygen and water to that seed and encourage the idea to grow and perhaps become something marvelous. One idea leads to another, and a little chain of successes can lead to a whole body of work which enriches the maker and the world.
Fringeless and other four selvedge adventures
Making the Fringeless four selvedge warping class has been an adventure. A new online class always is. I totally love curriculum development. I like editing videos especially if I pick up some new skills for each class. And then the best part is when the class goes live and I see people's reactions to it. This class was extra special for me because I got to work with Sarah Swett who is always inspiring and a fantastic teacher. Also, the fact that she regularly makes me laugh is a big plus.
And the winner is...
Fringeless is running and I've already seen some fantastic things happening.
Sarah wove three enchanting tapestries during the filming of the course and we had a drawing for one of them yesterday morning. Everyone who registered before midnight July 9th was included in the drawing.