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With #studiofridays in full swing now, I have loom decisions to make.
On my first Friday of the year, I warped my Leclerc loom. To be honest, I don’t have a concrete plan for what to weave on this loom. I do have a consultation client who just purchased one and had some questions about warping. So I cut off the two holiday pieces you can see on it here and set about putting a useable warp on it.
Happy Holidays. Wishing all of you peace and new adventures for 2019.
The video below is a time lapse of this year’s holiday weaving. The idea came from the twinkle lights that I stapled under the latilla on our back porch. The bright mass of lights is cheering to me during this dark time of year. Solstice is tomorrow and the sun will return.
Yesterday I hosted a webinar with Sarah Swett. This was the first time I’ve done such a thing. After a lot of work learning the new tech, I was ready for it. I knew where the share buttons were and how to turn on the recordings and how to answer questions and do a poll. I knew how to turn microphones and video on and off, how to send registration reminder emails and follow-up emails. I thought I had it nailed.
But I didn’t know what I didn’t know. And what I didn’t know was that the package I purchased through the webinar platform Zoom only included 100 participants. So immediately after starting the broadcast, 100 people were on and no more were allowed in. I realized this a few minutes into the broadcast thanks to someone mentioning it in the Q&A (which I totally knew how to use!), but there was nothing I could do about it once the webinar had started.
The webinar itself went really well. If you were one of the hundreds of people who registered but couldn’t get into the live event, please accept my sincere apologies.
Please do take the time to watch the video below.
Sarah Swett is the creator of delightful fiber worlds. If you’ve followed her blog, read her books, or taken any classes from her, you know she can make you laugh and inspire you to expand your creativity. Sarah is a tapestry artist with decades of experience. Her work is varied and it always expresses her wonder at the world around her. Her Rough Copy series for example contain a narrative taken from a novel she wrote. The sheer bloody clarity of her woven text is astounding in itself, but the form each of the panels takes enhances the story. She has worked with four selvedge tapestry weaving both in large format as in the Rough Copy pieces and in her wonderful tiny houses series this year. More recently, she has been experimenting with various materials for tapestry weaving.
We’re hosting a free (and very fun) webinar on Thursday, November 15th. If you can’t make it, the replay will go into the Fringeless online class so you can watch it or watch it again.
Last May I had the opportunity to visit Susan Martin Maffei and Archie Brennan in their studios in New York. It was one of those experiences that is hard to share partly because it can’t be translated well in words and partly because I treasure it so much in my heart that talking about it just doesn’t seem to bring the experience justice. But I’ll give it a go anyway.
Barbara’s work has long been some of my favorite work in tapestry. Take a look at some current and past work in the photos below and then check out her website linked at the end of the post. Her work often deals with issues of humanity’s relationship to the environment but her work is extensive and varied and well worth study.
While we were looking at the show, I asked Barbara some about her practice and if she had any advice for younger artists. She said that she had had a teacher early on who told her to weave every day. She replied that often she didn’t know what was next. She didn’t have an idea for a new piece yet, so she was waiting for that to happen. The teacher replied that it didn’t matter. She should weave every day. If she didn’t have a new idea, she should weave her sketches or anything else she could think of. Just weave.
As someone who often finds herself in that place of “I don’t have the next idea worked out,” I found this to be exceptional advice. I think that the practice brings you through the times where you don’t feel an idea bursting out. The weaving itself will result in new experiences and the next piece will come quicker this way.
Barbara took that advice. She weaves every day and her vast body of work is testament to that.
Sweet mountain air, a community of people who love tapestry, and five days of fun.
The Colorado 2018 design retreat was so much fun. We had a wonderful group of people. As an instructor, it is so rewarding to spend five days with people who are able to ask questions both of the other people but also of themselves. They were able to dive into their creative selves and identify what they wanted to work on and then actually work on it!
This was a retreat where I encouraged everyone to follow their own path. This did mean that they had to think some about what they wanted to work on before coming to the retreat and then follow their ideas with some guidance from me and their fellow weavers throughout the week.
